So much sass and so much win. The amount of procedural dramas are skyrocketing this winter and I love it. Witch’s Court tells the story of Ma I Deum, a fierce and manipulative prosecutor who has no reservations and even use underhanded methods in order to win her cases. She has been a prosecutor for 7 years and only cares about her ambition and climbing up that hierarchy. Ma had a rough past where her mother ran away/kidnapped due to a sexual abuse case her mother was involved with. Coincidentally, she was transferred to the sexual violence crimes unit after she offended some higher ups during a case. For her, this was her career’s death sentence at first. However, knowing Ma, she still managed to get on the news for winning her cases in a dramatic fashion. Also working in this unit is Prosecutor Yeo, a past psychiatrist turned prosecutor. He is straight-laced and cares about the humanistic and emotional side of the victims. At first, Yeo is frustrated by Ma’s seemingly narrow minded aim to just win cases no matter the consequences it has on the victim. However, slowly he sees the vulnerable side of Ma whose barriers are slowly broken down by him. They are a match made in heaven in their field, with Yeo molding Ma into a softer version of herself. Unfortunately for them, it seems that their past is tied a little more closely due to the mysterious disappearance of Ma’s mother.
While it is named Witch’s Court, clearly, there is a another name we can substitute it with that also rhymes. You know what I’m getting at! We see a female lead that is the complete opposite of what we are used too and a gender reversal in a way. Ma is the hard, unforgiving, cold prosecutor with a traumatized past. She is the one who is ruthless and only cares about winning. I love the way Ryeo Won portrays this role. She is so expressive and raw in her emotions. It comes off natural and engaging. Yeo meanwhile takes the usual role given to female leads, the soft and emotional side. He cares about the feelings of victims and doesn’t want to harm the victims even if it will win a case. I have loved Yoon Hyun Min ever since I laid eyes on Cruel City. He is a solid actor who is finally getting the lead roles he deserves. Every performance from him has been great and I look forward to him choosing other type of roles other than procedural dramas. While at first, I was shocked and disturbed by Ma’s way, slowly, I came to love her smart and clever thinking. She doesn’t care that people comment on her ambitiousness. She revels in it and uses it to her advantage. She knows how to use other people’s weaknesses and isn’t shy about it. Furthermore, sexual abuse cases is such a sensitive topic in S. Korea and not much talked about it even if it is rampant. We only see articles of it when its someone famous, but I’m sure with the hierarchal and patriarchal society, much of it goes unreported. This drama shines a glaring light at these situations which is a wonderful way to get this problem acknowledged and hopefully ameliorated.